Etruscan art styles are relatively unfamiliar to modern readers, compared to Greek and Roman art, for a number of reasons. Etruscan art forms are classed as Archaic period, their earliest forms roughly similar in period to the Geometric period in Greece (900-700 BC). The few surviving examples of Etruscan language are written in Greek letters, and most of what we know of them are epitaphs; in fact, most of what we know of Etruscan civilization at all is from funerary contexts rather than domestic or religious buildings.
But Etruscan art is vigorous and lively, and quite distinct from that of Archaic Greece, with flavors of its origins.
Who Were the Etruscans?
The ancestors of the Etruscans landed on the west coast of the Italian peninsula perhaps as early as the Final Bronze Age, 12th-10th century BC (called Protovillanovan culture), and they likely came as traders from the eastern Mediterranean. What scholars identify as Etruscan culture begins during the Iron Age, about 850 BC.
In the sixth century, for 3 generations, the Etruscans governed Rome through the Tarquin kings; it was the zenith of their commercial and military power. By the 5th century BC they had colonized most of Italy; and by then they were a federation of 12 great cities. The Romans captured Veii in 396 BC and the Etruscans lost power after that; by 100 BC, Rome had conquered or absorbed most of the Etruscan cities, although their religion, art, and language continued to influence Rome for many years.
An Art Chronology
The art history chronology of the Etruscans is slightly different from the economic and political chronology, described elsewhere.
Phase 1: Archaic or Villanova Period, 850-700 BC. The most distinctive Etruscan style is in the human form, people with broad shoulders, wasp-like waists, and muscular calves. They have oval heads, sloping eyes, sharp noses, and upturned corners of the mouths. Their arms are attached to sides and the feet shown parallel to one another, as Egyptian art does. Horses and water birds were popular motifs; soldiers had high helmets with horsehair crests, and often objects are decorated with geometric dots, zigzags and circles, spirals, cross-hatches, egg patterns, and meanders. The distinctive pottery style of the period is a grayish black ware called impasto italico.
Phase 2: Middle Etruscan or "orientalizing period", 700-650 BC. The lion and griffin replace horses and water birds, and there are often two-headed animals. Humans are illustrated with a detailed articulation of muscles, their hair is often arranged in bands. Pottery is bucchero nero, grayish impasto clay with a deep black color.
Phase 3: Late Etruscan, 650-300 BC. An influx of Greek ideas and perhaps craftsmen affected the art styles, and by the end of this period, there was a slow loss of Etruscan styles under Roman rule. Most bronze mirrors were made during this period; more bronze mirrors were made by the Etruscans than the Greeks. The defining Etruscan pottery style is idria ceretane, similar to Attic pottery.
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