Binding Book Design - Hand Made
‘la couleur du vent’
Laced-in binding. Full leather. Decor : dark red boxcalf onlays.
Copy : 61/75
Laced-in binding. Full natural goatskin. Decor : engraved Moiré
design, full decoration on front and back covers drawn in copper, brass
and aluminum metallic powders.
Copy : 50/75
Paper binding sewn on a double concertina. Decor : stripes of
handmade Abaca paper from Le Moulin du Verger, white japanese paper and
wood paper spine. Cross- shaped plywood fixtures.
Titled in grey-blue foil.
Laced-in binding. Full alum tawed calfskin. Decor of snake skin and oasis inlays. Gilder : Stéphane Gangloff
Copy: 12/75
Conservation binding. White handmade paper from Moulin Richard de
Bas (Ambert). Decor : wood engraving gauffered paper, gauffered handmade
paper stripes. Titled in red foil.
Laced-in binding. Full light grey cowskin. Decor : stamped types
figures, sanded relief, inlays, raised raw-edge and beveled onlays, foil
highlights.
Laced-in binding. Full red buffalo. Decor : dyed tissue paper
inlays, snake skin, lambskin and light green buffalo onlays. Titled in
gold foil.
Laced-in binding. Full green goatskin. Decor : red and green buffalo
inlays, raised raw-edge onlays, gold foil highlights. Titled in gold
foil.
Splitboard binding. Visible sewing. Wood stick spine stiffener.
Decor on both sides of boards : recycled papers pasted on leather and
sanded down, foil highlights. Titled in red foil.
Quarter buffalo cased-in binding. Decor : fish skin onlays, recycled
paper coloured by Laurence B. Duffar, paint and Indian ink. Titled in
black foil.
Limp binding. Handmade linen rag paper (Moulin du Verger). Visible diagonal long-stitch sewing.
Titled in gold on paper.
Cased-in binding. Assemblage of alum tawned goat stripes. Decor : squares tooled in blind, copper highlights. Titled in blind.
Japanese-style binding. Full blue goatskin. Decor : blue raised raw-edge onlays, sanding, yellow inlays.
Laced-in binding. Full blue goatskin. Decor : laminated mylar, sanded leather, dots stamped in foil, thinly pared calfskin.
Concertina binding. Carborundum engraving on Rives paper. Decor :
carborundum and acrylic engraving inlays and onlays. Laser titled.
Japanese-style binding. White and blue marbled leather. Decor : blue
buffalo inlays and chainstitch inlays. Silver and gold foil highlights.
Titled in foil.
Laced-in binding. Full ivory goatskin. Decor : polycarbonate swirl inlay. Titled in silver foil.
Visible sewing binding, red linen thread. Linen and blue calfskin.
Decor : acetone transfers, linocuts. Circular opening in upper board.
Titled in ivory foil.
Conservation binding with visible sewing. Abaca handmade paper from
Moulin du Verger. Decor : screenprinting on black calfskin and red
reptile-embossed leather. Green paper onlays.
Titled in metallic red foil.
Limp binding. Purple and violet embossed cowskin. Yellow and blue linen thread visible sewing.
Decor : diamond-shaped violet goatskin onlays sewn through the cover.
Open-hinge binding. Calfskin spine. Walnut burl and lacewood boards. Decor : leather and wood inlays.
Open-hinge binding. Beige leather. Decor : weaving made of red
leather tapes, blue paper and green thread. Titled in havana brown foil.
Fabrication de deux échelles de Jacob de dix rectangles chacune.
Rectangles en plastique ondulé et bois pressé servant de support au
texte, cernés de papier peint, fond de papier de couleur, surimposé de
papier sisal construit sur une grille de fils de couleurs coordonnées.
Mosaïques de serpent en cuir de serpent.
Échelles attachées par des bandes de pvc cristal, protégées par des
tiges de bambou reliées entre elles par du fil de nylon coloré.
Reliure en cuir teinté noir doux, bronze et bois. Plats réunis par
des lanières en bois finement lamellées. Décor en creux suggérant un
escalier. Cahiers cousus sur concertina avec ajout de papier éléphant
sur le côté verso. Gardes en papier marbré de Montse Buxó. Titre au film
or dans le creux du décor.
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